List of pathways

Owner Title Description View

Charles Drazin

Demo Pathway

Looking at Intertextuality

Tung Mac

Orlando

Pathway reflecting and illustrating the intertextual nature of Orlando.

Sophie Durham

Intertextuality in Orlando, in what ways are the aims of Woolf and Potterthe same/different?

An exploration into the ways in which Woolf and Potter construct their versions of Orlando and how these show similar motives as authors, or perhaps how these motives might differ, possibly due to the fact that they use different mediums to tell the same story.

Emily Andrews

orlando intertextuality

Creating your own online ‘pathway’, use the SP-ARK multi-media archive to reflect upon and illustrate the intertextual nature of Orlando (1928 and 1992).

Chris Engel

Intertextual Orlando

Klara Hallen

Orlando

Intertextual nature of Orlando

William Innes

Gender & Identity - Intertextuality in Orlando

An exploration of intertextuality in Orlando through themes of gender and identity. I have chosen this approach as the most obvious, yet complicated and interesting theme in Sally Potter's and Virginia Woolf's work.

Andrew White

Orlando: Book to Movie

As part of my Film Studies course, I will be using various strands of investigation into how a very personal piece of literature can be re-moulded into an equally personal film project. At the moment I have no clear strategy but as I work my way through this domain, I will attempt to make a coherent pathway that will enable me (and anyone else foolish enough to tread in my footprints) to make some sense of the transference from paper to celluloid

Meredith Veach

Intertextual Nature of Orlando

a look into the production design and the obvious themes of gender vs identity and the need to conform to society.

Philippa Selby

Intertextuality in Orlando

Sarah Aksland

Intertextuality in 'Orlando'

Looking at Sally Potter's film version of Virginia Woolf's novel, 'Orlando,' specifically regarding it's intertextual nature.

Patrick Strain

ORLANDO

ORLANDO 1928 AND 1992

Ada Teistung

Potter and Woolf

Intertextuality in, and adaptation of Orlando.

Abigail Stroman

Orlando

Exploring Intertextuality in Orlando

Benjamin Rider

Water

How does Sally Potter use 'Water'?

Klea Villanueva

does life really have a happy ending?

I wonder if Sally Potter is a big fan of happy endings... The endings in all three feature films (Orlando, The Tango Lesson and YES) are quite happy. It seems that in all of them the character has found something that makes them feel in balance with themselves. Orlando, who in my opinion seems to represent both men and women throughout history, seems to be in such peace at the end of the movie. Sally finally finds herself in Tango with Pablo's help, and in YES, She becomes a different woman w

Benjamin Rider

Sally Potter's pathway of visual grammer

A collection of what I believe constructs Sally Potter's filmic language, her artistic imagining and cultural embedding through directorial choices.

Ruta Buciunaite

pathway

Sophie Mayer

Orlando's Book

How does Orlando's manuscript come into being?Where does writing happen in the film and what does Orlando's manuscript mean?

Tom Szekely

Babysteps

Charles Drazin

CD, SP-ARK, NFT1

The Living Archive

Grace Herbert

Experimental Pathway

This is my first pathway and I am using it simply to highlight certain sections of this website that particularly interest me.

Sade Akin

The completed screenplay

Daniel Ostanek

the film's reception

Elena von Kassel Siambani

Costumes are great 2

We would be interested in seeing the evolution of the costume design in Orlando.

Elena von Kassel Siambani

Costumes are great

Why are there only two pictures? This really is not enough.

Zhang Zhuangzhuang

sally potter's dairy

Zhang Zhuangzhuang

use of location/costume/decor

Guy Davis

Costumes

Inspirations, design and practicality

Elena von Kassel Siambani

Michael Powell connection

The ending of Orlando was a surprise. It reminded me of the home movie sequence in Peeping Tom. While the rest of the film has a a Technicolor Powell and Pressburger feel.

Daniel Robson

Daniel986

Orlando

Nicolle Cannock

Nicolle

Phoenix Alexander

Artistry and the film

Jonathan Gentle

Reception

Sarah Miles

Orlando - Initial Ideas

William Preisner

Pre Production

Danny Branch

Screenwriting: Drafts

Alexia Kombou

Alexia pathway1

Marilena Parouti

Reception

What was the public and the critical reception of Orlando?

Ally Margolis

am pathway

Jo Stephenson

Cross-gendered voice

The way in which the voice is used throughout the various drafts of the film to merge gender boundaries, and to transcend the traditional, biological limitations of a character's sex.

Tamara Sefcovicova

sally potter2

Sara Kurp

editing

Tamara Sefcovicova

sally potter1

Ariane Osman

interesting stuff

Leanne Furneaux

Influences upon adaptation

Emma Qubain

Development of setting

Sketches of the locations and settings for Orlando.

Julian Nshuro

'Orlando' - Pathway 1

Lavinia Brydon

Location

Ben Taylor

Pre-production

Ben Taylor

Screenwriting

Lucy Bolton

Costume

Sophie Mayer

Hauntings: Woolf's Orlando as Ghost

Looking at the presence of Virginia Woolf's novel Orlando in Potter's cinematic adaptation, thinking particularly about ideas of haunting and ghosting.

Libby Saxton

passage of time

How does the film represent the passage of time? How did SP approach the particular challenges posed by the novel's time-frame?

Stephen Masters

On location in Khiva

Put your camel to bed

Annette Kuhn

reviews and reception

How was Orlando reviewed on its release, is there any evidence of audience response, and what have academic critics and scholars written about the film?

Sophie Mayer

Travelling Shots: Travel, Movement and Empire in Orlando

Research for a paper on Orlando's relocation of Woolf's Constantinople to Khiva, exploring the subtexts of imperial history and the significance of travel for the film (and the production).

Carolina Gonzalez

Quentin Crisp

Pictures and mentions of the actor

Corinn Columpar

form

Thom Coates Welsh

Original Handwritten draft

what it says in the title

Bella Wing-Davey

Orlando- the ending

the issue of adapting a book and bringing it into the present- the decision to have a modern ending- and the process of creating a modern ending..seeing SP process of realising this

Bella Wing-Davey

virginia woolf- women and film

Malgosia Tolak

Khiva

Items in the archive that were tagged under Khiva

Malgosia Tolak

Hatfield house

Items that had anything to do with scene 2