Pathway: Intertextuality- Orlando by Natalie Marcus

Video file, Digital, Screen Test - Quentin Crisp reading Elizabeth I

The casting of Quentin Crisp is interesting- he brings to the role his star persona. The fluidity of gender and sexuality is a major theme in Orlando.

1 x colour slide in transparent plastic hanging sheet, Digital, Film Stills - Scene 4 - (Tilda Swinton) in the film

Watercolour mounted on black card, with b/w photocopy, Paper, Painting of tents on frozen Thames

Black and white A4 computer printed, Paper, Revised draft of screenplay

1 x colour slide in transparent plastic hanging sheet, Digital, Film Stills - Scene 4 - Queen Elizabeth I (Quentin Crisp) in the film

1x A4 Black card, 10x A4 Double side printed text and image document, Paper, Cannes Prospectus

Page one of handwritten rough draft #1. Black ink on white A4 paper

the oak tree's importance is transfered to the film.

1 x colour slide in transparent plastic hanging sheet, Digital, Film Stills - Scene 58 - (Tilda Swinton) and Shelmerdine (Billy Zane) in the film

This still image is again interesting with regards to gender image and fluidity- the man appears as the submissive figure- cling to the woman. Orlando takes up the most space in the image- traditionally it would be a man who would dominant the visual space. The gender blending of the novel, is interextuality shown through the manipulation of the character

A4 pages, Paper, Typed notes on Virginia Woolf's ideas about the future for women

Show\'s potter\'s respect for Woolf and her need to be in some way faithful to woolf\'s original novel