Pathway: Translating imagery from text to screen by Flora Bartlett

Examination through archive materials of how Sally Potter takes the artistic description of scenes from the novel and translates that into a visual form through cinematography and set design.

Orlando’s Costumes by Scene page 2, Black and white A4 computer printed, Paper

1 x colour slide in transparent plastic hanging sheet, Digital, Behind the Scenes Images - Sally Potter and Crew on location for Scene 16

behind the scene photo of the sledge pulled by crew

Page 1 of storylines. A4 typed page.

storylines including sasha skating past King James

Copy of pre-production call sheet #8. Photocopy on yellow A4 paper.

Pre-production call sheet #3. Typed A4 sheet

Orlando’s Costumes by Scene page 1, Black and white A4 computer printed, Paper

Breakdown of Orlando's costume including suggestions for skating scene

Tracking shot of Russian Ambassadors and Sasha entering the Royal Enclosure.

Clip of the frozen lake scene detailing the tents in the background and well as demonstrating the setting through the costume design

Tracking shot of Russian Ambassadors and Sasha entering the Royal Enclosure.

1 x colour slide in transparent plastic hanging sheet, Digital, Film Stills - Scene 14 - (Tilda Swinton) in the film

A still from the Russian frozen lake scene with dancers in the foreground and tents in the background

Page 5, General Information for St Petersburg shoot, A4 type written information and instructions in a big blue folder

travel arrangements for cast and crew to get to Russia

Page 3, General Information for St Petersburg shoot, A4 type written information and instructions in a big blue folder

information for cast and crew including what to wear, where to eat, the currency etc in Russia

Watercolour mounted on black card, with b/w photocopy, Paper, Painting of tents on frozen Thames

painting for scene of frozen lake tents and banquet

List of large props for dressing river. Hand written A4 sheet.

List of props in the frozen river scene demonstrating how the mise en scene was created - again fitting with spacial and time location

1 x colour slide in transparent plastic hanging sheet, Slides, Photographic Slides of Hatfield House location recces, interior and exterior

decadent background to set the scene- vital for contrasting different spacial and time locations in the film

Page 1 of pre-production tests. A4 typed sheet.

Typed up tests for stages of Orlando's character

1 x colour slide in transparent plastic hanging sheet, Slides, Photographic Slides of Hatfield House location recces, interior and exterior

One of the locations used - the Maze- which was filmed on location rather than using a built set. Used to transport Orlando from one century to the next

List of builds and sets, models and matte paintings. Hand written A4 sheet.

List of sets and how to create them in the film, eg full sets, paintings or models

Handwritten notes marked "1" in red ink on A4 paper listing make up, hair and lighting tests

Notes on cinematography test for each stage of Orlando's transformation

Minimum requirements for build and effects for frozen river scene. Hand written A4 page.

Handwritten notes marked "2" in red ink on A4 paper listing Aleksei Rodionov's requirements for film tests

Cinematography plans/ film tests in order to develop the mise en scene of the scenes from the novel to the film

Outline of specifications for sets to be built. Black printed text on white A4.

The requirements for the sets in the adaptation, demonstrating the key scene locations (in the opinion of Sally Potter) from the original novel