Pathway: Orlando - from literature to film by Lawrence Parmenter
Translating the novel to the screen. What is lost? What is gained? Singular author vs creation by committee?
1 x A4 black photograph album; 34 vellum pages; 24 x colour prints, Mixed, Presentation book containing Sally Potter's notes on the film and colour photographs of Tilda Swinton at Hatfield House
1 x A4 black photograph album; 34 vellum pages; 24 x colour prints, Mixed, Presentation book containing Sally Potter's notes on the film and colour photographs of Tilda Swinton at Hatfield House
1 x A4 black photograph album; 34 vellum pages; 24 x colour prints, Mixed, Presentation book containing Sally Potter's notes on the film and colour photographs of Tilda Swinton at Hatfield House
1 x A4 black photograph album; 34 vellum pages; 24 x colour prints, Mixed, Presentation book containing Sally Potter's notes on the film and colour photographs of Tilda Swinton at Hatfield House
1 x A4 black photograph album; 34 vellum pages; 24 x colour prints, Mixed, Presentation book containing Sally Potter's notes on the film and colour photographs of Tilda Swinton at Hatfield House
1x A4 Black card, 10x A4 Double side printed text and image document, Paper, Cannes Prospectus
1x A4 Black card, 10x A4 Double side printed text and image document, Paper, Cannes Prospectus
1x A4 Black card, 10x A4 Double side printed text and image document, Paper, Cannes Prospectus
1x A4 Black card, 10x A4 Double side printed text and image document, Paper, Cannes Prospectus
1x A4 Black card, 10x A4 Double side printed text and image document, Paper, Cannes Prospectus
1x A4 Black card, 10x A4 Double side printed text and image document, Paper, Cannes Prospectus
Watermarked paper, handwritten, with wax seal, Paper, [front] Letter from artist Christopher Hobbs concerning his set paintings for
Orlando call sheet 51, Black and white A4 computer printed, Paper
