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Orlando as Ambassador Intextuality by Alexander Kelso, Student

Orlando as Ambassador Intextuality by Alexander Kelso, Student

Intertextuality and the Visual Portrayal of Gender in Sally Potter\\\'s \\\'Orlando\\\' by Rosamund Attwood, Student

How did Sally Potter approach the task of bringing to screen the literary exploration of gender demonstrated in Virginia Woolf\'s book?

The Idea of Gender as a Performance by James Kruglinski, Student

Both Virginia Woolf and Sally Potter are interested in exploring the duality of gender through the story of Orlando. Is a person's sex something that is fixed? Are men and women really that different? Perhaps gender is not something that has already been predetermined. Rather, Woolf and Potter propose that it's an ideology “that has been reinforced by tradition, inheritance and convention”. Both the novel and the film use Orlando’s sex change as an opportunity to explore and discover the answer to this issue.

Orlando from Novel to Film by Rea Anastasopoulou, Student

Pathway to reflect upon and illustrate the process of adapting Virginia Woolf’s 1928 novel, Orlando, to film.

The Adaptation Process by Nida Sheriff, Student

What is lost and what is gained?

The Adaptation Process by Nida Sheriff, Student

What is lost and what is gained?

Representations Of Gender in Orlando. by Nicholas Subramaniam, Student

Exploring the representation of gender, through character, actors and costume in the adaptations of Orlando.

My Default Pathway by Billie Hawes, Student

Adapting Orlando through the words of Sally Potter by Gaia Porcu, Student

the earring in ORLANDO by Xin Zhou, MA Student

Getting the Film made by Samuel Cross, Student

An analysis of the pragmatics of getting Orlando made.

Funding Process by Julie Solovyeva, Student

Description 1 x A4 black photograph album; 34 vellum pages; 24 x colour prints, Mixed, Presentation book containing Sally Potter's notes on the film and colour photographs of Tilda Swinton at Hatfield House
Asset ID SPA0000151
Date 1988
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