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Intertextuality in Orlando by Emily Spyt,

Potter says that ‘ in order to keep faith with Virginia Woolf’s use of real time ending the novel, the film had to end when it was completed-1992.’ Potter does this successfully as not only does she take on this idea the ending is not formed until everything else is shot. Although the film ending and the novel endings are different Potter loyally attempts to ‘think myself in Virginia Woolf’s consciousness’ and create a appropriate ending that Woolf herself might have written if she had lived until 1992.

Description Black and white A4 computer printed, Paper, Revised draft of screenplay
Asset ID SPA0000017
Date 01/05/1990