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Used in pathways:

Orlando by Tasha Loch,

Exploring the intertextual nature of Sally Potter's film, Orlando

Pathway 2: star intertextuality by Emily Andrews,

The intertextuality of stars in Sally Potter's 'Orlando'. Explore how an actor's parcipitationand performance in a film creates new meaning.

Intertextuality in Orlando, in what ways are the aims of Woolf and Potterthe same/different? by Sophie Durham,

An exploration into the ways in which Woolf and Potter construct their versions of Orlando and how these show similar motives as authors, or perhaps how these motives might differ, possibly due to the fact that they use different mediums to tell the same story.

orlando intertextuality by Emily Andrews,

Creating your own online ‘pathway’, use the SP-ARK multi-media archive to reflect upon and illustrate the intertextual nature of Orlando (1928 and 1992).

Fluidity of Gender. by Suzanne Harris, Student

Looking at the adaptations of gender ideas from Woolf's novel to Sally Potter's film.

How is mise en scène used in Orlando to portray gender and social status? by Ray Barron, Student

Cinematography and Shot Analysis in Orlando by Jake Stickley, Student

An analysis of the relationship between the detailed and highly illustrative description within the original text and the shot choices and cinematography of the film adaptation. The approach of this pathway will be to seek connections between the various texts available to form a progressive train of thought, concluding with an assessment of the success of the translation of Woolf's work to the screen.

My Default Pathway by Jasmine Ye, Student

My Default Pathway by Karolina Obrecka, Student

About the Location by Peng Zhang, MA Student

Costume and Orlando\'s Identity by Jared Eisenstat, MA Student

Costumes in Orlando by Andrea Paul, MA Student

Role transformation reflected through costumes

the earring in ORLANDO by Xin Zhou, MA Student

Orlando's Direct Address by Taylor McCausland, Student

An exploration of how Sally Potter's use of direct-to-camera address in Orlando functions as a way of adapting Woolf's literary voice to the screen.

Description 1 x colour slide in transparent plastic hanging sheet, Digital, Film Stills - Scene 53 - (Tilda Swinton) in the film
Asset ID SPA0000436
Date 1992
Scene Number 60