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Used in pathways:

Hauntings: Woolf\'s Orlando as Ghost by Sophie Mayer,

Looking at the presence of Virginia Woolf\'s novel Orlando in Potter\'s cinematic adaptation, thinking particularly about ideas of haunting and ghosting.

\'Orlando\' - Pathway 1 by Julian Nshuro,

Orlando by Kiran Chohan,

Sally Potter's approach to gender in her adaptation

Orlando by Meredith Nadeau,

The Different Path to Reach Orlando by Ryan Reyna,

An aim in understanding the different steps Sally Potter took to reach the same essential meaning behind Woolf's Orlando.

Orlando and it\'s Intertextuality by Georgina Cranmer,

Orlando - Initial Ideas by Sarah Miles,

Scriptwriting, Adaptation, Picking Potters Brains by Stephanie Hartop, Student in Fine Art and Histor

Orlando: Adaption, by Stevie Christian, Student

Gender in Orlando by Julia Howard, Student

The Literary Process of Adaptation by Emma Lieberman, Student

In a novel-to-film adaptation, one of the most interesting things to do is look at the source novel and see how it differs from the screenplay. Film is a visual medium, making it very different from the literary medium of the novel, but the adapted screenplay is like the bridge between the two, and can show the most striking resemblances and differences between the two versions of the story.

Description Black and white A4 computer printed, Paper, Revised draft of screenplay
Asset ID SPA0000009
Date 01/05/1990