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Used in pathways:

Travelling Shots: Travel, Movement and Empire in Orlando by Sophie Mayer,

Research for a paper on Orlando\'s relocation of Woolf\'s Constantinople to Khiva, exploring the subtexts of imperial history and the significance of travel for the film (and the production). "endings are beginnings": the novel is circular, beginning and ending with "home." The film is also circular, but moves on from the "clinging to the past" that Potter notes. For Woolf, Home is the "Great House" (and England), which Orlando possesses despite her change of sex, a reversal of the gendered laws that deprived Vita Sackville-West of Knole. But Sackville-West was also a traveller, and travel writer, and the novel is full of constant motion (at least until Orlando becomes female). The film suggests the novel's subtext of change as constant.

An investigation of the intertexuality in Orlando by James Anderson,

Production Design by Vicki Callahan,

Intertextuality in Orlando by Philippa Selby,

Exploring intertextuality in Sally Potter's 'Orlando' (1992)

ORLANDO: 1928 - 1992 by Patrick Strain,

in my pathway i will be looking at the intertexuality between Virginia Woolf's 1928 novel and Sally Potter's 1992 flm Adaptation.

Orlando\'s Book by Sophie Mayer,

How does Orlando's manuscript come into being?Where does writing happen in the film and what does Orlando's manuscript mean?

My Default Pathway by Nicole Moir, Student

Description Coloured pencil, mounted on black card, Paper, Sketch of Library of Great House
Asset ID SPA0000109
Date 01/04/1990