Used in pathways:

Research for a paper on Orlando\'s relocation of Woolf\'s Constantinople to Khiva, exploring the subtexts of imperial history and the significance of travel for the film (and the production). "endings are beginnings": the novel is circular, beginning and ending with "home." The film is also circular, but moves on from the "clinging to the past" that Potter notes. For Woolf, Home is the "Great House" (and England), which Orlando possesses despite her change of sex, a reversal of the gendered laws that deprived Vita Sackville-West of Knole. But Sackville-West was also a traveller, and travel writer, and the novel is full of constant motion (at least until Orlando becomes female). The film suggests the novel's subtext of change as constant.

The adaptation of the Novel by Wirginia Wolf "Orlando" and the research of the material used during the filming.

let's see what happens

Intertextuality in Orlando: gender fluidity and the re-shaping/accentuasion of themes and essence.

a look into the production design and the obvious themes of gender vs identity and the need to conform to society.

Both Virginia Woolf and Sally Potter are interested in exploring the duality of gender through the story of Orlando. Is a person's sex something that is fixed? Are men and women really that different? Perhaps gender is not something that has already been predetermined. Rather, Woolf and Potter propose that it's an ideology “that has been reinforced by tradition, inheritance and convention”. Both the novel and the film use Orlando’s sex change as an opportunity to explore and discover the answer to this issue.