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Used in pathways:

Quentin Crisp by Carolina Gonzalez ,

Pictures and mentions of the actor

History by Abigail Stevens,

My pathway engages the theme of history in both the novel and the film. The four centuries through which Orlando lives provide an evocative and symbolic background for the story.

Intertextuality in Orlando by Emily Spyt,

Potter says that ‘ in order to keep faith with Virginia Woolf’s use of real time ending the novel, the film had to end when it was completed-1992.’ Potter does this successfully as not only does she take on this idea the ending is not formed until everything else is shot. Although the film ending and the novel endings are different Potter loyally attempts to ‘think myself in Virginia Woolf’s consciousness’ and create a appropriate ending that Woolf herself might have written if she had lived until 1992.

Orlando by Hannah Burbach,

let's see what happens

Orlando by Sarah Fivash,

Intertextuality in Orlando: gender fluidity and the re-shaping/accentuasion of themes and essence.

Orlando by Daniel Leggett,

orlando intertextuality by Emily Andrews,

Creating your own online ‘pathway’, use the SP-ARK multi-media archive to reflect upon and illustrate the intertextual nature of Orlando (1928 and 1992).

My Default Pathway by Ashley Flatley, Student

Reflection on Orlando\\\'s intertextual reality by Paul Numann, Student

Some explanations for Potter's decision on certain locations, set and costume design, and focusing on cinematography.

Necessity of Color Pallets within Orlando by Ali Schutz, Film Studies Student

Using different color pallets within costumes and set designs help to portray the different epochs the film takes the watcher through. Through these different examples, one sees gold, reds, and oranges within the Elizabethan period and then later on towards the end of the film, one can view only blues and greens as Orlando enters into the Victorian period. The use of different colors helps guide the watcher throughout the vast amount of time traveled in Orlando.

My Default Pathway by Nicole Moir, Student

The essence of design in adaptation by Mitchell Harris, Student

The focus here is on the nature of design in adaptation. One example includes key aspects such as location from pre-production sketches to how the final set looks in production, and how this relates to the words found in Woolf's novel. Additionally it's interesting to note the differences in adaptation across Orlando's 400 year journey.

My Default Pathway by Jasmyn Castro, Student

Description 1 x colour slide in transparent plastic hanging sheet, Digital, Film Stills - Scene 4 - 's Father (John Bott), Queen Elizabeth I (Quentin Crisp) and 's Mother (Elaine Banham) in the film
Asset ID SPA0000419
Date 1992
Scene Number 3