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Travelling Shots: Travel, Movement and Empire in Orlando by Sophie Mayer,

Research for a paper on Orlando\'s relocation of Woolf\'s Constantinople to Khiva, exploring the subtexts of imperial history and the significance of travel for the film (and the production). "endings are beginnings": the novel is circular, beginning and ending with "home." The film is also circular, but moves on from the "clinging to the past" that Potter notes. For Woolf, Home is the "Great House" (and England), which Orlando possesses despite her change of sex, a reversal of the gendered laws that deprived Vita Sackville-West of Knole. But Sackville-West was also a traveller, and travel writer, and the novel is full of constant motion (at least until Orlando becomes female). The film suggests the novel's subtext of change as constant.

Khiva by Malgosia Tolak,

Items in the archive that were tagged under Khiva

Khiva by Malgosia Tolak,

Items in the archive that were tagged under Khiva

Reflection on Orlando\\\'s intertextual reality by Paul Numann, Student

Some explanations for Potter's decision on certain locations, set and costume design, and focusing on cinematography.

Costume and Orlando\'s Identity by Jared Eisenstat, MA Student

Costumes in Orlando by Andrea Paul, MA Student

Role transformation reflected through costumes

Description 1 x colour slide in transparent plastic hanging sheet, Digital, Film Stills - Scene 46 - (Tilda Swinton) in the film
Asset ID SPA0000432
Date 1992
Scene Number 51