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Used in pathways:

The Role of Gender In Sally Potters \'Orlando\' by Eleanor Bliss,

Orlando by Hanna Ibraheem,

The adaptation of 'Orlando' from literature to novel, and how each type shows the transgression from male to female

Orlando by Sarah Fivash,

Intertextuality in Orlando: gender fluidity and the re-shaping/accentuasion of themes and essence.

Pathway 2: star intertextuality by Emily Andrews,

The intertextuality of stars in Sally Potter's 'Orlando'. Explore how an actor's parcipitationand performance in a film creates new meaning.

Intertextuality in Orlando, in what ways are the aims of Woolf and Potterthe same/different? by Sophie Durham,

An exploration into the ways in which Woolf and Potter construct their versions of Orlando and how these show similar motives as authors, or perhaps how these motives might differ, possibly due to the fact that they use different mediums to tell the same story.

My Default Pathway by Ashley Flatley, Student

My Default Pathway by Celso Castro, Student

Gender/Androgyny in Orlando by Joanna Sidorick, Student

Reading between the stitches: Showing social status through costume in Orlando by Elspeth Paterson, Student

The development of costume across the film mirrors the development of character. What are we as an audience able to decipher purely by the clothing and costumes used.

Representations Of Gender in Orlando. by Nicholas Subramaniam, Student

Exploring the representation of gender, through character, actors and costume in the adaptations of Orlando.

My Default Pathway by Billie Hawes, Student

How is mise en scène used in Orlando to portray gender and social status? by Ray Barron, Student

Adapting Orlando through the words of Sally Potter by Gaia Porcu, Student

Gender, Style, Tilda Swinton by Carolyn Reese, MA Student

My Default Pathway by Meghan Longo, MA Student

My Default Pathway by Carmel Curtis, Student

Description 1 x colour slide in transparent plastic hanging sheet, Digital, Film Stills - Scene 48 - (Tilda Swinton) in the film
Asset ID SPA0000433
Date 1992
Scene Number 54