This pathway traces the use of the falsetto in Orlando as a symbol of transformation/alteration in gendered meanings through its position as herald throughout the narrative. The voice acts as construct for the subsequent reversal of bodily gender norms. It highlights periods of transition or translation for Orlando.
Director's commentary-setup of gender construction/ideology for the course of the film.
Male Castrati Voice-Film's Introduction
Establishes the falsetto voice as introduction or herald for the arrival of the Queen as well as the opening of Orlando's journey. Thus, the voice functions as marker for periods of journey/transition. Additionally, its presentation without initial visual cues leaves room for gender ambiguity/play.
Visual of Somerville as the herald of gender ambiguity/fluidity.
Jimmy Somerville Song Sequence on Boat-The voice as Herald
Additional use of the falsetto voice as a herald to summon a sleeping Orlando post-gendered trauma.
Indication of the use of falsetto to accompany Orlando's gender transition.
As above.
The beginning of the gender transformation sequence. The music choice stated above, i.e. the falsetto voice, is presented in a more feminine manner than in the previous sequences. The male falsetto voice is not the voice of transition in this scene.
Continuation of the gender transformation sequence.
The conclusion of the gender transformation sequence.
The re-emergence of the falsetto through the angel, i.e.:the literal embodiment of the voice as herald. The angel is the herald of gender construction/reconstruction, the vocal embodiment of gender ambiguity through the straddling of the binary.
Final Transition Sequence-Somerville as Angelic Herald