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Used in pathways:

Orlando by Sarah Fivash,

Intertextuality in Orlando: gender fluidity and the re-shaping/accentuasion of themes and essence.

Pathway 2: star intertextuality by Emily Andrews,

The intertextuality of stars in Sally Potter's 'Orlando'. Explore how an actor's parcipitationand performance in a film creates new meaning.

Intertextuality in Orlando, in what ways are the aims of Woolf and Potterthe same/different? by Sophie Durham,

An exploration into the ways in which Woolf and Potter construct their versions of Orlando and how these show similar motives as authors, or perhaps how these motives might differ, possibly due to the fact that they use different mediums to tell the same story.

orlando intertextuality by Emily Andrews,

Creating your own online ‘pathway’, use the SP-ARK multi-media archive to reflect upon and illustrate the intertextual nature of Orlando (1928 and 1992).

Intertextuality and gender in Orlando by Rachel Clarkstone, Student

Pretty Pathway by Richard Leigh, Student

The Idea of Gender as a Performance by James Kruglinski, Student

Both Virginia Woolf and Sally Potter are interested in exploring the duality of gender through the story of Orlando. Is a person's sex something that is fixed? Are men and women really that different? Perhaps gender is not something that has already been predetermined. Rather, Woolf and Potter propose that it's an ideology “that has been reinforced by tradition, inheritance and convention”. Both the novel and the film use Orlando’s sex change as an opportunity to explore and discover the answer to this issue.

My Default Pathway by Kaitlyn Sunabe, Student

My Default Pathway by Nicole Moir, Student

Gender/Androgyny in Orlando by Joanna Sidorick, Student

How is mise en scène used in Orlando to portray gender and social status? by Ray Barron, Student

Reading between the stitches: Showing social status through costume in Orlando by Elspeth Paterson, Student

The development of costume across the film mirrors the development of character. What are we as an audience able to decipher purely by the clothing and costumes used.

Gender and Sexuality in Orlando by Melanie Allickson, Student

Costume and Orlando\'s Identity by Jared Eisenstat, MA Student

Costumes in Orlando by Andrea Paul, MA Student

Role transformation reflected through costumes

the earring in ORLANDO by Xin Zhou, MA Student

Description 1 x colour slide in transparent plastic hanging sheet, Digital, Film Stills - Scene 14 - (Tilda Swinton) and Sasha (Charlotte Valandrey) in the film
Asset ID SPA0000424
Date 1992
Tags
Scene Number 15